I like to let the ash cling to cigar so I can admire the burn. I will only remove the ash by tapping the cigar when I am no longer drawing adequately. I was just enjoying a nice Rocky Patel maduro and I was thinking, is what I am doing considered poor etiquette? How often should I be removing the ash, and what is the proper way to do so?

A few years ago, in 2006, the Nevada legislature imposed a public smoking ban.

The new rule doesn’t apply – as yet – to the storied casinos of Las Vegas, where smoking is still allowed on gaming floors. And of course Nevada is hardly the only recent state to impose restrictions on public smoking. Indeed, it joins over thirty states (at this writing) with such laws on the books. If you are reading this from the United States, it is likely that a similar law applies to your area: half the country’s population is currently under the jurisdiction of a public-smoking regulation of some kind.

But the idea of a smoking ban passing the Nevada legislature seems almost like a kind of spiritual defeat for cigar smokers: after all, what could more epitomize “cigar cool” than the mental image of Frank Sinatra’s Rat Pack, cigars and drinks in hand, finger-popping their ways through the floor of a Vegas casino?

It just symbolizes a fact that’s made passionate smokers’ lives a little more difficult over the past decade: in the interest of public health (and out of consideration for asthmatics and others), more and more city councils and state legislatures are choosing to ban public smoking outright, or are limiting it to certain licensed facilities.

Arguments about the effectiveness or appropriateness of these bans to one side, we can all agree that they mean that smokers have to put a little more energy into planning vacations. For a person who loves the taste of a good cigar, for whom relaxation doesn’t become meaningful until there’s a stogie involved, there’s no point in a vacation where you can’t even smoke in your hotel room. With smoking bans underway in Atlantic City (and this ban extends to casinos) and similar one-time bastions of cigar culture, frustrated cigar smokers are turning to a new option: the cruise ship.

And why not? Cruise ship vacations offer the ultimate chance to “get away from it all,” a continuous expanse of blue water, and the opportunity to meet interesting people from all over the country (and world). Few cruises are completely smoke-free, with most offering, at the very least, designated smoking areas that might include cigar bars or lounges. So it’s hard to go completely wrong – wherever you book your passage, you’ll almost always have at least some chance to smoke.

More and more luxury cruise lines don’t allow smoking in living quarters – that’s one downfall. After all, the next person using your room might be a nonsmoker, and it doesn’t make economic sense for cruise ship directors to designate permanent “smoking” and “nonsmoking” rooms; such a move would involve logistical nightmares during booking. But luxury quarters often include balconies, where smoking is sometimes still allowed.

The recent case of a cruise line headquartered in Fort Lauderdale, Florida gives smokers an indication of what they can expect. The cruise line, according to some reports, lost millions in bookings after instituting a partial smoking ban in 2007. But compared to those bans that have caused smokers such dismay in Atlantic City and Ottawa, the Florida-based cruise line’s smoking ban doesn’t even apply to the on-ship bars and casinos.

Indeed, the cruise ship industry seems to be following the opposite track of most US states and municipalities – as they grow more restrictive toward smoking, cruise lines are growing more permissive. One completely smoke-free cruise ship line went out of business awhile ago; another once-smokeless line changed its policies to allow some smoking on the boat.

Smokers will likely want to evaluate cruise line policies prior to booking as there are has examples of ships with almost smoke-free policies. Smoking on such lines may only be permitted in two designated areas – and if you light up anywhere else, you could be kicked off the boat! (That presumably doesn’t mean you’ll be forced to walk the plank, but it’s probably not worth finding out.)

Another rule of thumb mentioned by several travel writers: if you’re looking for company as you smoke, go for a cruise line with a high number of European and Asian clientele. Citizens of many of these countries often still smoke in higher numbers than do contemporary Americans, and there is a Spain-based cruise line that currently sports the least restrictive smoking policy out there.

The other day I soaked in my jacuzzi tub in the bathroom and when I was in there I smoked a cigar. I had the exhaust fan on, and the door closed, so I didn’t think the smell would go in the house. But now I realize my entire house smells horrible.

How can I get rid of the smell? Do I have to have the entire house repainted?

As the 1990s dawned, few industries seemed deader than cigar sales and manufacture.

From its height in the 1850s – when Cuba alone exported 356.6 million cigars – the cigar had fallen into virtual moribundity. Its market had been conquered by cheap, ubiquitous cigarettes. Its image was tarnished in the United States by, among other things, the persistent (and not entirely unfounded) popular association between cigar smoking and the “fat cats” of the Gilded Age – a picture wedged into its place in the popular consciousness by the work of crusading editorial cartoonists.

By the late 1980s, the industry was flatlining, with an aging customer base and few new customers drifting in: the classic example of a product reaching what marketing experts call “old age.” That’s not to say “senility.”

But in 1992 something changed. (Not a bad year for it – with voters decisively rejecting Ronald Reagan’s vice president at the polls and heavy metal yielding to Nirvana, it was a year for change.) The number of imported cigars wafted gently upward during the fourth quarter of the year, yielding a four-percent increase over 1991. The following year, imports rose by ten percent.

The industry was elated. But no one was prepared for what came next – 12 percent growth in 1994, 33 percent growth in 1995, 36 percent first-quarter growth for 1996, shops unable to keep product on the shelves, backorders of 55 million units in 1996, retailers buying shopping-carts full of cigars from distributors and paying retail price just to keep their stores stocked. Women, for the first time, began smoking cigars in large numbers, and prices rose at a fast clip – the $2 premium cigar more or less disappeared over a three-year period. Cigar bars proliferated.

Cigar-friendly restaurants, well, came into existence.

What happened? One observer, Norman Sharp of the Cigar Association of America, told the New York Times in 1996 that the new prevalence of cigar bars goes back to a single Boston restaurant. “It started in the ’80s, when the Ritz-Carlton in Boston hosted a cigar dinner.”

In the same story, Sharp also gave credit to what he called “political correctness,” the all-purpose rhetorical villain of the 1990s. “People are saying they’re tired of being told what to do – or in this case, being told not to use tobacco – and turned to cigar smoking as a way of flipping the bird at well, somebody.

Other observers give some credit to Cigar Aficionado, launched in 1992, a quarterly glossy publication that improved cigars status in society. In Cigar Aficionado, alongside cigar reviews and industry news, you can also read up on new luxury goods, while enjoying interviews with prominent cigar smokers from Jack Nicholson to Whoopi Goldberg. As Runner’s World did for the nascent jogging movement of the 1970s, Cigar Aficionado transformed thousands of isolated cigar lovers into an interest group, simply by addressing them as one.

For another explanation, consider the growth in coffee consumption during the 1990s – the years when Starbucks conquered America. The new prominence of this old, almost stodgy beverage (not unlike the cigar in its public image) could be, and was, traced to the explosion in average working hours during the decade, when a centuries-long trend toward shorter working weeks ground, in the US though not in Europe, to a halt. Bedroom communities grew, while deep social ties grew frayed. American white-collar workers desperately needed something, some small pleasure or indulgence to take the sting out of their epic workweeks. Why not cigars?

Cigar Fox provides the finest cigars that include brands like Cohiba, Montecristo, Gurkha, Macanudo, Rocky Patel, Romeo, Drew Estate, and many more. Other cigar products include cigar humidors, cigar boxes, and cigar accessories like Zippo Lighters. For more information, please visit http://www.cigarfox.com.

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I am trying to open a private cigar club in my town. I am looking for information on the premium cigar market. I would like to know if this is a viable business. How much profit can I make etc. Where can I find this type of information?

Since so many artists, writers, and other creative folks have been cigar smokers, it’s perhaps no surprise that some wonderful – as well as not-so-wonderful – films and plays center on the world of cigars. Some of these works are already well-known, while others might require a little help reaching their audiences. A few of them may not even succeed with help. But for those who celebrate cigar smoking, these dramas (screen and stage) may be special treats.

Anna In the Tropics

The 2003 Pulitzer Prize winner for Drama, this play, set in 1929, gives viewers a rare opportunity to view the world through the eyes of those who make fine hand-rolled cigars. It concerns the daughters of a family of cigar workers, whose lives are forever marked when the factory’s new lector – the person hired to read to the workers’ reads Tolstoy’s Anna Karenina to them. The book becomes part of the factory’s life, inspiring love affairs, jealousies and fights. Hailed by critic Christine Dolen as “a passionate, explosive, tender play filled with poetic-evocative imagery, language that almost seems tactile,” the play managed to beat out new works by the far-more-established Edward Albee and Richard Greenberg for the Pulitzer in Drama. For cigar smokers, it provides a glimpse of the industry’s glory years before machine manufacture and the dominance of cigarettes, before Castro and the trade embargo.

The “lector,” by the way, was a real position. Cigar manufacture is a laborious process requiring constant care, and for many years, for that reason, handmade cigar factories hired a lector (reader) to keep the rollers alert and entertained by reading books to them. Audio books have partly eliminated the need for lectors (at least in some factory owners’ eyes), but other factories still use a lector – perhaps the best symbol of the mental attentiveness necessary to produce well-made premium cigars.

Smoke

This 1995 indie film rendered writer Paul Auster something like a household name – or as close to a household name as authors of existential detective stories get. It’s also a virtual paean to cigar smoking, with its sprawling plot set at the Brooklyn Cigar Company, where owner Auggie Wren ponders the varied types of humanity who turn up therein. (His theory is that everyone in the world eventually shops at the Brooklyn Cigar Factory.) Within this framework, the movie ponders the random yet meaningful connections among disparate individuals – one of the themes of Auster’s writing, and a theme of several important 1990s American art films, including Grand Canyon, Short Cuts and Magnolia. Auster’s selection of a smoke shop as his setting renders the film, which is based on one of his own short stories, especially meaningful for diehard cigar smokers.

Smokin’ Stogies

An entire movie about the search for some missing Cohibas? This 2002 low-budget crime film may not have won any awards, but with two of the stars of “The Sopranos” (whose swaggering, smoking mobsters have done their own bit to promote the smoking of stogies) and its cigar-oriented plot, the film ought to hold at least some interest for cigar lovers. It is described by Cigar Aficionado’s David Savona as “B-level material, an R-rated, small-budget experience that nevertheless should appeal to cigar smokers.” [it] serves up a subject matter palatable to aficionados. The movie includes the search for the mob’s missing Cubans and a plot to put real Cohiba bands on a trove of horrendous counterfeit cigars. There’s also a hilarious cigar-sniffing Doberman Pinscher who can tell a real Cuban from a fake.” If only every cigar smoker in America had a dog like that…

Predator

OK, this eighties sci-fi opus is not about cigars at all – at least not on the surface. Rather, it concerns a scary invisible alien hunter-thing that crash-lands in a Central American jungle and cuts up an elite Arnold Schwarzenegger-led military unit after they’re tricked into illegal Black Ops action by a corrupt major (Carl Weathers). (But what cigar smoker can forget the sight of Schwarzenegger’s character, Dutch, lighting up the fattest imaginable stogie as he suits up?

Cuban cigars originate from the Caribbean, which has a tropical climate very different to Europe. As a natural product, your Havana cigars need to be kept carefully. They are used to being in a warm climate with a relatively high humidity.

Therefore they will need to be protected from extremes of temperature and humidity (particularly low humidity). This is particularly difficult to achieve in air conditioned and centrally heated buildings, where the air tends to get de-humidified and cigars can dry out very quickly. Some cigars come in aluminum tubes which can help preserve them in dry climates, however they tend to mature at a much slower rate than ‘naked’ boxed cigars.

Maintain a temperature of 16 C to 20 C and a relative humidity of 65% – 70%.

In the UK you will need a humidor to maintain the humidity of your cigars at various times of the year:

Humidity

At the least, keep your cigars in a tight fitting cupboard, drawer or box, away from radiators and other sources of heat. Pick the coolest indoor spot in your house. Leave the cigars in their original boxes as this will help preserve them, stop them from being damaged, and prevent any cross-tainting of flavours between different varieties of cigars stored in the same area. If the humidity in your make-shift humidor is low, a damp sponge in a cup will serve as a basic provider of humidity.

When you purchase your cigars from Tomtom, they will be packed in an airtight zip-loc bag, which will maintain the humidity of your cigars while you transport them from the shop to your humidor. These bags are a very efficient short term humidor, however we would not recommend that you leave your cigars sealed in these bags for more than one month. Although humidity will be maintained, cigars also need to be exposed to some fresh air to allow them to ‘breathe’ and age correctly.

A variety of desk-top and travel humidors can be purchased (see ‘Accessories’) and are an essential item for the dedicated cigar smoker (more information below).

Temperature

The danger of excessive temperature (combined with too much humidity) is that the cigars can either go moldy or be damaged by weavil attack. If cigars go moldy, this is generally not a problem, as long as it is spotted reasonably soon and the mould (or bloom) only appears on the wrapper leaf. The mould can be removed with a soft brush (e.g. a badger shaving brush) and then the cigar can be returned to store in the correct conditions. If mould gets into the end of the cigar, we recommend that you do not smoke it. Weavil, or tobacco beetle, is a more serious problem. If you see any small holes in your cigar, you should take immediate action. Please call Tomtom for further advice. Never store cigars near direct sunlight or for long periods exposed to sea breezes (salt will not enhance your smoke). The lower the temperature, the higher the humidity required to compensate.

Desk-Top Humidors

There is a very wide selection of these humidors on the market. The basic design requirements are that they are sealable (and generally lockable!), but allow the cigars to breathe. This is normally achieved by leaving the base of the box unvarnished: and no portion of the inner cedar box should be laminated. The box contains a fitting, which provides the humidity: this is normally a pad containing a sponge or chalk, which can be dampened. The box may also contain a dial showing humidity and temperature.

As a rule of thumb, the smaller the box, the harder it is to maintain a steady level of humidity within its confines. These humidors do not regulate temperature. The price range starts from about 125 for a plexi glass humidor, which will hold approximately 50 cigars to 2000 and above. A comprehensive selection is shown on our accessory page. Fabulous humidors can also be created out of antique boxes which many families have inherited as writing slopes or medal cases and which have since become redundant. This is a very cost-effective way of storing your cigars in a unique and personal humidor.

Travel Humidors

Ranging in price from 100 upwards. These are not suitable for long-term storage of cigars, however they are essential if you are moving about: the wrapper leaf on a handmade cigar is very thin and delicate and will easily damage. The safest way to prevent this is to keep the cigars in their original box, in tubes or in a purpose-built travel humidor.

Cigar Cases

Generally these do not offer humidification systems built in, but will protect your cigars if you take them in your pocket for the day. There are some metal tubes with hermetically sealed screw tops that will act in the same way as a cigar tube and seal in moisture. The majority are made from leather and offer protection from damage as well as limited protection from fluctuations in humidity and temperature.

Reviving Dried-Out Cigars

This is not an exact science and not always successful. Dry cigars need to be rehumidified very slowly and with care. We suggest you speak to us

Footnote

We do NOT recommend that cigars are kept in a refrigerator for storage. It is likely that the cigars will be dried out by this process and irretrievably damaged.

In his essay “Sifting the Ashes,” the writer Jonathan Franzen has the following to say about the smoking habit he struggles to quit: “[W]hen you’re smoking, you’re acutely present to yourself: you step outside the unconscious forward rush of life.”

Beautiful words, with which many cigar smokers would agree. Perhaps that’s why so many of history’s most famous and best-loved writers are hard to mentally picture without a cigar: Mark Twain, Ernest Hemingway, Gertrude Stein, Collette, George Sand, Karl Marx. Not terrible company, and they’re not alone. Some major contemporary writers are cigar smokers as well.

Paul Auster

Born in Newark, New Jersey, Paul Auster graduated from Columbia, then moved to Paris, France to eke out a living as a French-literature translator. He’s been married to two highly-regarded American writers “Siri Hustvedt (currently) and, before that, Lydia Davis, who is also known for her translation work – and his novels The New York Trilogy and Moon Palace are modern classics. He’s known for using the shape of the detective story to entertain larger questions about the meaning of identity, of language, and of existence. But his biggest fame – and his importance to smokers – came when he wrote and co-directed the movie Smoke, a landmark of American indie cinema set in a Brooklyn cigar shop.

Centered on Auggie Wren, owner of the Brooklyn Cigar Company – a sort of existential Dew Drop Inn where large cross-sections of humanity gather – it ponders the random yet seemingly meaningful connections among various people, a major theme in Auster’s writing (as well as of several other major American art films from the same period – consider Short Cuts and Magnolia). Auster’s selection of a smoke shop as his setting renders the film, which is based on one of his own short stories, especially meaningful for diehard cigar smokers.

Edward Whittemore

Here’s an artist with a colorful life indeed – he went from Yale to the Marines to the CIA, wrote for the Japan Times (it was part of his cover), lived in Crete, and wrote the massive, tripped-out series of literary espionage novels known as the Jerusalem Quartet, a work lauded by Tom Robbins as – like a bowl of hashish pudding – and by Jonathon Carroll as a book that

“makes your soul grow.” (To give you an idea: one of the books is about a 12-year-long game of poker in which the winner becomes owner of the Holy Land. That’s just the plot of one of them.) Yet the Quartet went out of print after only a few years, and Whittemore ended his days in dire poverty and obscurity, working as a photocopier for a law firm.

In 2003, eight years after his death, the Quartet was republished to all-but-universal acclaim; Jim Hougan, writing in Harper’s, called it “one of the last, best arguments against television” and Whittemore – an author of extraordinary talents. His friend Thomas C. Wallace remembers his love of cigars: “We walked the woods and fields of southern Vermont by day, sat in front of the house after dinner on solid green Adirondack chairs, drinks in hand and smoking cigars.” In a similar spirit, lovers of fine cigars should search out his one-of-a-kind novels – after all, premium cigar smokers already know that the most immediately accessible pleasures aren’t always the deepest.

John Grisham

You probably know that John Grisham is an ex-lawyer and the biggest-selling novelist of the 1990s, but you probably don’t know about his charity work, his advocacy on behalf of the wrongly imprisoned, his tireless support of less-commercially-successful writers – or the fact that it’s been said he smokes four cigars a week. In addition to writing the well-loved legal thrillers The Firm and A Time To Kill, among others (as well as such departures as A Painted House), he has done missionary and relief work in Brazil and service on the board of the Innocence Project, which uses DNA testing to exonerate the wrongfully convicted. Perhaps all of this is why he ended up on one of Cigar Aficionado’s lists of the top hundred smokers.

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